Posts mit dem Label reading werden angezeigt. Alle Posts anzeigen
Posts mit dem Label reading werden angezeigt. Alle Posts anzeigen

Montag, 3. September 2018

Why read the classics?

In der NEW YORK REVIEW OF BOOKS erschien 1986 ein Artikel des italienischen Autors Italo Calviono: Why read the classics?

Aufgrund des 50 Jahresjubiläums bringt die Redaktion immer wieder eine Auswahl von Artikel aus vergangenen Jahren. Ein schöner Anlass, diesen bedeutsamen und lehrreichen Text von Calvino sich (wieder) vorzunehmen.

Why Read the Classics?

Let us begin with a few suggested definitions.
1) The classics are the books of which we usually hear people say: “I am rereading…” and never “I am reading….”
This at least happens among those who consider themselves “very well read.” It does not hold good for young people at the age when they first encounter the world, and the classics as a part of that world.
The reiterative prefix before the verb “read” may be a small hypocrisy on the part of people ashamed to admit they have not read a famous book. To reassure them, we need only observe that, however vast any person’s basic reading may be, there still remain an enormous number of fundamental works that he has not read.
Hands up, anyone who has read the whole of Herodotus and the whole of Thucydides! And Saint-Simon? And Cardinal de Retz? But even the great nineteenth-century cycles of novels are more often talked about than read. In France they begin to read Balzac in school, and judging by the number of copies in circulation, one may suppose that they go on reading him even after that, but if a Gallup poll were taken in Italy, I’m afraid that Balzac would come in practically last. Dickens fans in Italy form a tiny elite; as soon as its members meet, they begin to chatter about characters and episodes as if they were discussing people and things of their own acquaintance. Years ago, while teaching in America, Michel Butor got fed up with being asked about Emile Zola, whom he had never read, so he made up his mind to read the entire Rougon-Macquart cycle. He found it was completely different from what he had thought: a fabulous mythological and cosmogonical family tree, which he went on to describe in a wonderful essay.

Read more in the NYRB

Samstag, 19. Dezember 2015

We must cultivate a love of reading

Frank Furedi on the power of books, selfhood and Werther Fever.
Tim Black, books and essays editor, SPIKED, 16 Dec. 2015

A book opens the door to a new world. It allows us to reimagine our circumstances, to test our personality and our ideas. It makes us who we are, a self that continually develops and gains definition though reading.’

Frank Furedi, academic, writer and regular spiked contributor, is talking about his new book Power of Reading: From Socrates to Twitter, a fascinating, often revelatory account of the meaning and significance ascribed to reading and writing down the centuries. One thing that soon becomes clear in Power of Reading is that Furedi’s humanist love of letters has, for most of history, been the exception rather than the rule.

Montag, 2. November 2015

Alberto Manguel: Reader, Reading, Diary

Buchempfehlungen:


Alberto Manguel: A Reader on Reading
Yale University Press
Format:     Paperback
Publication date: 01 Jul 2010
ISBN: 9780300172089
Dimensions: 320 pages: 235 x 156 x 23mm
Illustrations:     12 black-&-white illustrations

Review by Max Ross, Open Letters Monthly

Review by Ian Sansom, The Guardian, 1 May 2010

Review by Rebecca Rego Barry


A Reading Diary
A Year of Favorite Books.
Canongate Books, New Edition 2006
272 pages, hard cover
ISBN: 978-1841958217

Review by Ernest Hiblert, E-Verse Radio


Die Bücher liegen in unserer Bibliothek auf!







Dienstag, 2. Juni 2015

Curiosity

Buchempfehlung:

Der kanadische Autor Alberto Manguel hat ein neues Buch publiziert, das sich seinem Hauptthema LESEN & LEKTÜRE widmet, wobei vor allem Dantes Werk reflektiert wird. Eine besonders empfehlenswerte Lektüre; sie liegt in unserer Bibliothek auf:

Curiostiy
by Alberto Manguel, March 2015, Yale University Press

Alberto Manguel talking to John Sutherland (London Review of Books Bookshop-Cafe) about his latest book "Curiosity" (Video at Youtube)

Forum "Zukunft des Buches, Zukunft Europas" - Schlussvortrag - Alberto Manguel, Sept. 2013
(Video at Youtube)

Homepage von Alberto Manguel

Freitag, 24. Oktober 2014

Bad reasons to read Shakespeare

In the past, if you asked someone why you should read Shakespeare, they’d probably give you two reasons: his work is beautiful; and it makes demands of us, prompting us to think a bit harder, a bit more deeply. These reasons remain true today. But there are also two bad reasons to read Shakespeare. And, unfortunately, it is these reasons that are increasingly being advocated today.

Alka Sehgal Cuthbert, SPIKED 23 October 2014

Samstag, 13. September 2014

Tackling the reading gap

Overworked teachers and dumbed-down libraries are behind Britain's shocking literacy levels.
Joanna Williams, SPIKED, 12 Sept. 2014

Interesting article with links to some documents and reports.

Also of interest:

Kathryn Ecclestone and Dennis Hayes: The dangerous rise of therapeutic education

Kathryn Ecclestone is professor of post-compulsory education and Dennis Hayes is a visiting professor in the Westminster Institute of Education at Oxford Brookes University, England. 
The Dangerous Rise of Therapeutic Education, published by Routledge.
Spiked 2008

Samstag, 24. Dezember 2011

You're looking for a book?

Many people wish to bestow someone a book but are insecure concerning their selection. What should be given away as a gift? What is proper, beautiful, enteraining, worthwhile etc.?

I recommend the latest publication by the British author, artist and art critic John Berger:

Bento's Sketchbook

A meditation, in words and images, on the practice of drawing, by the author of Ways of Seeing.
The seventeenth-century philosopher Baruch Spinoza—also known as Benedict or Bento de Spinoza—spent the most intense years of his short life writing. A sporadic draughtsman, he also carried with him a sketchbook. After his sudden death, his friends rescued letters, manuscripts, notes—but no drawings.
For years, John Berger has imagined finding Bento's sketchbook without knowing what its pages might hold, but wanting to see the drawings alongside his surviving words. When one day a friend gave Berger a beautiful, virgin sketchbook, John said “This is Bento's!” and he began to draw, taking his inspiration from the philosopher's vision.
The result is Bento's Sketchbook—an exploration of the practice of drawing and a meditation on how art guides our gaze to the world: to flowers, to the human body, to the pitilessness of the new world order and the forms of resistance to it.

Hardback, 176 pages
ISBN: 9781844676842
May 2011
£14.99


Writer and critic John Berger donated his archive to the British Library in 2008 but it was not possible to thank him officially for his generosity until he came on 23 May 2011 to give a reading from his latest book, Bento's Sketchbook.






John Peter Berger (born 5 November 1926) is an English art critic, novelist, painter and author. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to a BBC series, is often used as a university text.
Wikipedia

John Berger was born in London in 1926. His many books, innovative in form and far-reaching in their historical and political insight, include To the Wedding (published in a rejacketed edition in April 2009), King, and the Booker Prize-winning novel, G. Amongst his outstanding studies of art and photography are Another Way of Telling, The Success and Failure of Picasso, Titian: Nymph and Shepherd (with Katya Berger) and the internationally acclaimed Ways of Seeing. He lives and works in a small village in the French Alps, the setting for his trilogy Into Their Labours (Pig Earth, Once in Europa and Lilac and Flag). His collection of essays The Shape of a Pocket was published in 2001. His latest novel, From A to X, was published in 2008.

About Looking, published by Bloomsbury in April 2009, is the follow-up to the seminal Ways of Seeing, one of the most influential books on art.

Berger is a Marxist, an advocat of dignity and freedom. He not only is an art critic but a critic generally, politically. He took explicit stands against Israel concerning their suppression of Palestinians. He is outspoken and courageous.

John Berger: a life in writing
'I wanted to write about looking at the world, so this book is about helping people to see what is around us, both the marvellous and the terrible'
Nicholas Wroe, The Guardian, 23 April 2011

John Berger: A und X Ein Gespräch gegen die Abwertung der Welt
Worte sind stärker als Trennungsschmerz: Der englische Schriftsteller John Berger erzählt in „A und X“ eine Liebesgeschichte - und verrät sein Vademecum gegen die Verwundungen der Moderne.
Thomas David, FAZ, 28.01.2011