Posts mit dem Label classics werden angezeigt. Alle Posts anzeigen
Posts mit dem Label classics werden angezeigt. Alle Posts anzeigen

Montag, 3. September 2018

Why read the classics?

In der NEW YORK REVIEW OF BOOKS erschien 1986 ein Artikel des italienischen Autors Italo Calviono: Why read the classics?

Aufgrund des 50 Jahresjubiläums bringt die Redaktion immer wieder eine Auswahl von Artikel aus vergangenen Jahren. Ein schöner Anlass, diesen bedeutsamen und lehrreichen Text von Calvino sich (wieder) vorzunehmen.

Why Read the Classics?

Let us begin with a few suggested definitions.
1) The classics are the books of which we usually hear people say: “I am rereading…” and never “I am reading….”
This at least happens among those who consider themselves “very well read.” It does not hold good for young people at the age when they first encounter the world, and the classics as a part of that world.
The reiterative prefix before the verb “read” may be a small hypocrisy on the part of people ashamed to admit they have not read a famous book. To reassure them, we need only observe that, however vast any person’s basic reading may be, there still remain an enormous number of fundamental works that he has not read.
Hands up, anyone who has read the whole of Herodotus and the whole of Thucydides! And Saint-Simon? And Cardinal de Retz? But even the great nineteenth-century cycles of novels are more often talked about than read. In France they begin to read Balzac in school, and judging by the number of copies in circulation, one may suppose that they go on reading him even after that, but if a Gallup poll were taken in Italy, I’m afraid that Balzac would come in practically last. Dickens fans in Italy form a tiny elite; as soon as its members meet, they begin to chatter about characters and episodes as if they were discussing people and things of their own acquaintance. Years ago, while teaching in America, Michel Butor got fed up with being asked about Emile Zola, whom he had never read, so he made up his mind to read the entire Rougon-Macquart cycle. He found it was completely different from what he had thought: a fabulous mythological and cosmogonical family tree, which he went on to describe in a wonderful essay.

Read more in the NYRB

Mittwoch, 30. November 2011

Classical music ain’t just for snobs

People often complain today that we’ve lost our ability to concentrate on one thing at a time, and that in a digital, multimedia culture that promises endless choice and instant gratification, we have forgotten the virtue of patience. Indeed, social commentators have been remarking on this since the arrival of microwave dinners and the television remote control in the 1970s – which took the effort out of cooking and meant you could perpetually switch channels without ever having to watch a TV programme properly. The subsequent internet revolution, which has given us email, online shopping and social networking, has merely accelerated this phenomenon.

Demanding and ambitious, the BBC’s Symphony series recalls a time when Haydn and Mozart were pop. Patrick West, SPIKED, 30.11.2011